October 21, 2011

Beyond the dram

Easter Elchies House, the heart of the Macallan estate in Craigellachie, dates to 1700

Yesterday afternoon Entra was given behind-the-scenes access to several exciting new projects from The Macallan, distillers of some of the world's finest Scotch whiskies.

Watch for a special post next week!





Photograph courtesy of The Macallan

October 20, 2011

Entra's now an ASID Industry Partner


We'd like to extend a very big thank you to Pamela Meyer, Katherine Fern, Deric Schmidt and Will Meyers, and all of our new friends at the ASID, especially the wonderful Industry Partners we met at yesterday's meeting.

Entra is thrilled to be part of the group!

Inspiration Central

Last week we visited with Frédéric Lazare at Bourgeois Bohème's new location on Beverly Boulevard in Los Angeles. It's a massive space, and filled with an eclectic ensemble of antiques and modernist pieces. There's also a growing collection of African art. One newly acquired mask will make curators swoon -- the only similar example known is at The Met.

As Frédéric talked about some of the pieces on view, I tried to take a few pictures of the overall space... but apparently my subconscious took over and I only shot chairs. For months I've been dreaming about a good pair of big comfy armchairs for our new apartment, and Frédéric's got them in spades.



A pair of 1920s English wing-back chairs (yep, that's the original leather) and a Louis Philippe walnut chest of drawers.

The Rive Gauche armchairs are part of the store's Atelier line. They're beautifully proportioned for lounging but the trim Regency-style legs and castors keep them refined. The chandelier was also incredible. The globes are blown glass but they look a bit like ostrich eggs, and the whole design (they offer several variations) really distills the shop's quirky historical -- but entirely modern -- aesthetic.

And my most favorite: an 1890s French wing-back chair and ottoman. I love the devil-may-care spirit of revival styles... this one's a little bit Charles II, a little bit Flemish, a little bit Portuguese, and completely wonderful.


For more, check out Bourgeois Bohème's 1stdibs page, too.


October 18, 2011

Hello, Glendale!

In retrospect selling a house, buying another one, and launching a magazine, while simultaneously raising two smallish children (plus elderly, though smallish, pets) might not have been the greatest feat of planning. However. We were quickly outgrowing our old bungalow in the wonderful Northeast LA neighborhood of Atwater Village, and the time seemed oddly right to make the move.

When we found our old house, nine years ago, it was just the two of us, plus two cats. It was small and a wreck, but we were up for the challenge. We focused on subtractive decorating at the very beginning—tearing up carpets, pulling out faux-wood paneling, removing grim bathroom fixtures, the works. A few months later, we remodeled the kitchen and bathroom. And then once more as it turned out—my husband is a measure once cut twice kind of guy. We eventually added another bathroom (without adding square feet in a triumph of spatial planning by our contractor) and landscaped the front and back gardens. We loved it.

The old house's garden, complete with ancient and abundant orange tree. All photos courtesy me and my negligible photography skills.

Fast-forward nearly a decade. We have kids, we have a dog, we're down a cat. The kids are getting bigger (and so is their stuff—big kid clothes take up a lot more room). There's basically one closet. Even for the default minimalists we've become, it's getting tricky. On a whim, we call an agent we known for years and decide to list the house. We start looking for another place.Though we love Atwater, most of the houses are similarly dinky. Glendale, just down the street from us, begins to look really appealing.

Now, we wound up buying the second house we ever saw on our first real-estate go-around. This is something of a pattern for us. We tend to agonize over little decisions—where to go for dinner, for example—but make the big ones much quicker. So in keeping with tradition we fall head over heels in love with the second house we see. We keep looking, but nothing compares. The size, the flow, the street. Everything else seems hideous. There are ugly kitchens and bathrooms that have had the charm modernized right out of them. Weird layouts. We've seen nirvana. Nothing else will do. We make an offer; it's accepted contingent on the sale of our old place; we cross our fingers and bury St. Anthony in the front yard. Miraculously, it all works out.


We've been in the house now for a smidge over a month, and we still adore it. Of course there are quirks. It's an 80-year-old house. There's the so-frumpy-it's cool wallpaper in all of the bedrooms. The oven scorches whatever I'm baking. Some of the light fixtures, added at various points in its life, are on the hideous side. But all of the awesomeness outweighs them.

The spider light. Doesn't work but so cool. Apparently there was a wrought iron gate at the front with a spider, too, once upon a time.
The front hall. Floor is a faux-tile (pressed cement). Walls are faux-stone.


Fireplace. One of the most fab features. We're researching the tiles. Current guess is Markoff.

Master bath tiles. These, and the fireplace, might have been the deal-sealers for us.
At the moment, the plan is to do a little work at a time. The kids are begging for me to strip the wallpaper and paint their rooms. We also have to do a little work to the master bath—making the shower usable. I'll post pics as we progress. Stay tuned.

October 17, 2011

Fanning the creative fire


Artist Bea Peters at her Haarlem studio

While in the Netherlands, I had the good fortune to meet the talented Bea Peters. Though known for her ceramics -- particular her decorative tiles -- it was her new wallpapers, Dutch Estates, that caught my eye.

When I stopped to ask about them, Peters explained that she was an illustrator by training, and just naturally found herself sketching some of the historic houses in and around Haarlem, where she's based. Their detail and charm inspired her to turn them into a toile-like pattern. (The motifs found their way onto her wall tiles and dishes, too.)

 



Peters has since been approached by homeowners to draw their estates, and one not only commissioned wallpaper for their dining room, but a full dinner service, too!

On tap are new designs based on old farms, royal palaces, and Amsterdam's iconic canal-front houses. So there's much more to come, including -- possibly -- a line of textiles. "I just need to find a manufacturer," she says. Perhaps this post will inspire a collaboration.

The wallpapers, which are available in raspberry red, Old Dutch blue, and warm gray, are sold by the square meter for €45.00. Her studio is open on Friday and Saturday, from noon to 5pm, or visit her online at 1000 Graden.